Writing as Sedition
This symposium centers the practice of writing under repressive conditions, specifically within the political framework of abolition as an intersectional and internationalist project. This day-long program includes workshops for pre-circulated draft papers along with two keynote speakers in conversation.
Keynote Speakers
Jakeya Caruthers is Assistant Professor of English and Africana Studies. Her scholarship attends to black political aesthetics within 20th and 21st century cultural production and to the study of race, gender, sexuality, and state discipline. She is working on a book-length project that examines literature and performance to explore the ways black folks manage racial terror through a sense of humor endowed with black feminist affects like curiosity or a sense of political legitimacy imagined to be possible even among morally, materially, and politically opposing figures. Recent collaborative projects also include a digital archive of feminist decriminalization campaigns as well as a co-edited double-volume anthology entitled Abolition Feminisms (Haymarket Books).
Malav Kanuga is a cultural anthropologist trained in ethnographic and archival studies of space, culture, and power, as well as uneven development in an internationalist and historical framework. As an urban researcher and as an activist, his work on the cultures and histories of popular mobilization and imagination attends to the articulations and resistances to domination and hierarchy in the urban and social lifeworlds of racial capitalism.
His current research focuses on and accompanies organizing around carcerality, freedom, and public democratic media citizenship. He is interested in how and what communities communicate as they mobilize, and how movements leverage established as well as grassroots media opportunities to change narratives shaping both the policies governing consent and constraint, and the politics and legacies of liberation.
Organizers
Allan E. S. Lumba is a cultural and social historian of Asia and the Pacific. He engages questions of racial capitalism, imperialism, and decolonization. He received his Ph.D. from the Department of History at the University of Washington. His book, Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines, charts the historical intersections and tensions between race, knowledge, sovereignty, and the capitalist market in the United States and the Philippines. He is currently at work on an infrastructural history of sinking cities around Asia and the Pacific, titled “Subsidence: Surfacing Life in a Sinking City.” This new project has recently received funding from the Center for Southeast Asian Studies at Kyoto University (2024) and the SSHRC Insight Development Grant (2024-2026).
Allan E. S. Lumba is a cultural and social historian of Asia and the Pacific. He engages questions of racial capitalism, imperialism, and decolonization. He received his Ph.D. from the Department of History at the University of Washington. His book, Monetary Authorities: Capitalism and Decolonization in the American Colonial Philippines, charts the historical intersections and tensions between race, knowledge, sovereignty, and the capitalist market in the United States and the Philippines. He is currently at work on an infrastructural history of sinking cities around Asia and the Pacific, titled “Subsidence: Surfacing Life in a Sinking City.” This new project has recently received funding from the Center for Southeast Asian Studies at Kyoto University (2024) and the SSHRC Insight Development Grant (2024-2026).
Canada Research Chair in Art and Racial Justice
Assistant Professor, Department of Art History, Concordia University
Balbir K. Singh is Canada Research Chair in Art and Racial Justice, as well as Assistant Professor in the Department of Art History at Concordia University. She is the Director of Dark Opacities Lab, a hub for BIPOC political and aesthetic study and strategy. Using anti-colonial methods of reading and sensing, Singh builds on theories of opacity in her in-progress manuscript “Militant Bodies: Racial/Religious Opacity and Minoritarian Self-Defense,” which takes a materialist feminist approach to explore questions that center post-9/11 racial and religious hyper-policing of Muslim and Sikh bodies. Currently, she serves as Reviews Editor for Art Journal and is part of the Journal of Visual Culture’s Editorial Colelctive. Singh has been published in journals including Sikh Formations, Critical Ethnic Studies, QED, Surveillance and Society, Rhizomes, the Journal of Asian American Studies, Spectra, and Asian Diasporic Visual Cultures in the Americas.
This working group seeks to explore the internationalist histories and global possibilities of abolitionist intellectual and social movements. We frame our questions from Angela Davis’ findings that the prison industrial complex was historically rooted in colonial and imperial forms of a global order, Ruth Gilmore and Katherine McKittrick’s insight that carcerality remains crucial to present-day racial capitalist accumulation, and Harsha Walia’s notion that imperial displacement and migrant mass detention remains the true origins of the so-called “border crisis.”
If interested in reading and responding to papers and/or attending the keynote, please email Dr. Allan Lumba at allan.lumba@concordia.ca for both the papers as well as location information.