Palestine Will be Free: Vitrine
Dark Opacities Lab is a hub of BIPOC political and aesthetic study and strategy.
Jenny Lin is a visual artist based in Tiohtiá:ke / Mooniyang / Montréal. Working with experimental narrative and autobiographical fiction, primarily in the form of print-based installations, artists’ books and zines, Lin is drawn to the socio-political, accessible and community-based aspects of print and zine-making, self-publishing and self-distribution. Lin uses drawing and text as a way to process life experiences and current events, parsing situations into sequences that invite viewers’ interpretation, projection and connection. She has collaborated with Eloisa Aquino as B&D Press, a queer art and micropress project, since 2009.
B&D Press is a micro press based in Montreal. B&D is an art project that publishes mostly the work of Eloisa Aquino and Jenny Lin, and does occasional collaborations. B&D stands for bug and duck.
Palestine Will Be Free is an evolving project by Dark Opacities Lab that began as a workshop at the AHGSA conference in February 2024 at Concordia University, transformed into a zine, published with B&D Press in August 2024, and was on display in the vitrine space of the Department of Art History.
For this project, Dark Opacities Lab went through the vast and rich resource of The Palestine Poster Project, an archive of nearly 20,000 posters in relation to Palestine, composed by nearly 4,000 different artists, and compiled by Dan Walsh. This archive is an invaluable resource in documenting the scale of Palestinian resistance and the place of aesthetics and design. In thinking through the political vernacular of these posters, we are necessarily asked to reckon with the place of visuality and visual culture in the realm of the political. Inspired by The Palestine Poster Project Archives, Dark Opacities Lab asked students and community members to create and contribute postcard-sized art in relation to and in solidarity with Palestinian anti-colonial resistance.