NAZAR Speaker Series

As part of Dark Opacities Lab’s 2024-2026 theme, “Nazar: A Theory of the Evil Eye,” we will be hosting a speaker series to consider questions central to intellectual, political, and ethical questions integral to the context of global struggles for liberation and indigenous sovereignty. For the purposes of developing an anti-colonial theory of sight, we offer Nazar as a framework in which to triangulate race, colonialism, and psychoanalysis. We ask: What might it mean to think about surveillance and racist technology using Nazar as an animating framework? If we understand the harm caused by sight as surveillance, oversight, or violent watching, what might it mean to reconsider it as a protective or healing power, necessary and potentially having its own kind of magic?
Date: Thursday 20 February 2025
Time: 17h/5pm
Title: Nazar, Capture, Liberation
Location: EV 1.615
(in collaboration with Dead_Pixels)
Filmmaker
Writer
Maryam Kashani’s work explores the relationships between physical landscapes and the sociopolitical, material, and spiritual histories and forces that emerge with and against them, with a particular focus on collective study and struggle. Her book Medina by the Bay: Scenes of Muslim Study and Survival, is an ethnocinematic examination of how multiracial Muslim communities in the San Francisco Bay Area survive within and against racial capitalist, carceral, and imperial logics. Kashani is an associate professor in Gender and Women’s Studies and Asian American Studies at the University of Illinois – Urbana-Champaign and is in the leadership collective of Believers Bail Out, a community-led effort to bailout Muslims in pretrial and immigration incarceration towards abolition.
Writer
A learner, Kameelah Janan Rasheed explores communication practices and poetics across all species, states of living, states of consciousness, and substrates. She creates sprawling, “architecturally-scaled” installations; public installations; publications; prints; performances; performance scores; poems; video; learning environments, and other forms yet to be determined. Rasheed is the author of seven artists’ books, and is on faculty at the Yale School of Art, MFA Sculpture Department, and an instructor at the School for Poetic Computation. Rasheed founded Orange Tangent Study, a consulting business that provides artist microgrants and supports individuals and institutions in designing expansive and liberatory learning experiences.

Date: Wednesday 26 March 2025
Time: 17h/5pm (hybrid)
Location: JMSB (MB) 9-A
Title: New Books in Nazar: The Jewelers of the Ummah x Black Elegies
Ariella Aïsha Azoulay is Professor of Modern Culture and Media and the Department of Comparative Literature at Brown University. Her books include: The Jewelers of the Ummah; Potential History – Unlearning Imperialism; Civil Imagination: The Political Ontology of Photography; The Civil Contract of Photography; Aïm Deüelle Lüski and Horizontal Photography; and The One State Condition: Occupation and Democracy between the Sea and the River. Among her potential histories, archives and curatorial work were shown recently including: The Natural History of Rape at the Berlin Biennal in 2022; Errata at Tapiès Foundation and HKW in Berlin in 2019 and 2020.
Director, Institute for Black Intellectual and Cultural Life
Dartmouth College
Kimberly Juanita Brown serves as the inaugural director of the Institute for Black Intellectual and Cultural Life. She is an interdisciplinary scholar working at the intersection of contemporary literatures of the Black diaspora and visual culture studies. She is the author of The Repeating Body: Slavery’s Visual Resonance in the Contemporary (Duke University Press, 2015), and Mortevivum: Photography and the Politics of the Visual (MIT Press, 2024). Brown is currently completing her third book, Black Elegies, about the art of mourning in contemporary cultural productions. She is the founder and convener of the Dark Room: Race and Visual Culture Studies Seminar. The Dark Room is a working group of women of color scholars, artists, and curators whose work examines critical race theory and visual culture studies. Brown is an associate professor in the Department of English and Creative Writing.

Date: Wednesday 9 April 2025
Time: 17h/5pm
Location: Library Building (LB) 322
Title: Reverie of Resistance
(in collaboration with CISSC Palestine Interdisciplinary Research Working Group + Academics for Palestine)
Lara Sheehi is an Assistant Professor of Clinical Psychology at the Doha Institute for Graduate Studies. She is the founding faculty director of the Psychoanalysis and the Arab World Lab. Lara’s work takes up decolonial and anti-oppressive approaches to psychoanalysis, with a focus on liberation struggles in the Global South. She is co-author with Stephen Sheehi of Psychoanalysis Under Occupation: Practicing Resistance in Palestine, which won the Middle East Monitor’s 2022 Palestine Book Award. Lara is the President of the Society for Psychoanalysis and Psychoanalytic Psychology. She is currently working on a new book, From the Clinic to the Street: Psychoanalysis for Revolutionary Futures.
Stephen Sheehi is Sultan Qaboos Professor of Middle East Studies in the Asian and Middle East Studies Program and the Director of the Decolonizing Humanities Project at the College of William & Mary. Having published on psychoanalysis, Arab photography, Arab identity and colonial modernity, and Islamophobia and racism, he is, most recently, co-author of Psychoanalysis Under Occupation: Practicing Resistance in Palestine with Lara Sheehi, which has won the Palestine Book Award for Best 2022 Academic Book on Palestine; and Camera Palaestina: Photography and Displaced Histories, co-authored with Salim Tamari and Issam Nassar. He and Nadera Shalhoub-Kevorkian most recently co-edited a special issue of State Crime Journal, “Settler-Colonialism As State-Crime: Abolitionist Perspectives.”
